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a multiplicity of centers in a state of
non-obstruction and interpenetration."
Interpenetration Festival '08
Mycel
July 05, August 28, September 23, November 16 and December 02 - 05
November 16
Franz Fjödor
Sten Ove Toft
Analog Suicide
dj: tba
9:00 pm
Postgarage
Free entrance!
December 02
political lectures and discussions:
Christian Felber
Neue Werte für die Wirtschaft
6:00 pm
Horst Stowasser
Anarchie als Utopie
8:00 pm
concert:
Manon Liu Winter
John Cage's Variations III
with Indeterminacy
read by
Konrad Rennert
10:00 pm
dj: tba
doors open: 5:00 pm
Postgarage
Free entrance!
December 03
concerts:
Hummer/Schellander/Honsig-Erlenburg
Bernhard Gal
Timmi der Hund
dj: tba
doors open: 8:00 pm
Postgarage
Free entrance!
December 04
concerts:
Krach der Roboter
code inconnu
dj: tba
doors open: 8:00 pm
Postgarage
Free entrance!
December 05
concerts:
Tim Blechmann & Seijiro Murayama
Ken Okami & Michael Fischer
pure
dj: tba
doors open: 8:00 pm
Postgarage
Free entrance!
| Forum Stadtpark Stadtpark 1 8010 Graz |
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Postgarage
Dreihackeng. 42 8020 Graz |
Franz Fjödor
Franz Fjödor is the pseudonym of Dutch writer and musician Wouter Jaspers (Deurne, 1986). As Franz Fjödor, Jaspers flirts with The Dark; with self-made instruments he creates pieces of soundart in between droning soundscapes, depressed noise and dark folk. His style varies to his mood: from psycho chants to punk screams, from guitar oriented music to field recordings. Over the last year, Wouter played over 140 shows all over Europe, he toured in Russia and released several records on his label Vatican Analog from Tilburg, Netherlands. Besides this he has been active working on his new book, to be published in the fall of 2008. In october he will do a small worldtour through Europe and The United States together with Staplerfahrer. Next year he' ll tour Japan.
Besides his Franz Fjödor project Jaspers is also part of Meldy Peaches and 4daladiez, both featured projects on Vatican Analog. He also released cd's/tapes and several tracks on TIBproductions (NO), Kourlyk Records (BE), Black Syndicate (NL), Goldsoundz (NO), Dirty Demos (UK), Zeromoon (US) and Emerson, Lake and Headache (RU).
http://www.wouterjaspers.nl/
Sten Ove Toft
Sten Ove Toft is one of the leading artists in Norway's noise scene. Apart from being an active solo artist, Toft has also validated himself through projects like Ryfylke, Röyskatt, Waffelpung and others. He's also worked with Lasse Marhaug, Anders Hana, Stian Westerhus, Serena Maneesh and The Low Frequency In Stereo. At the end of 2007 Toft released his solo album "Lit De Parade" on his own label Roggbif Records. Ballade.no said it was a perfect cross between aforementioned Lasse Marhaug´s infernal noise and Helge Sten a.k.a. Deathprod´s dark, blurry soundscapes. This is reflected in Toft's performances, which he's had a lot of lately. In 2007 alone he toured the States for a month, the European continent for a month and Great Britain for two weeks. In total, he's performed over 200 concerts and has participated in over 50 releases, on labels all over the world.
(article from http://www.bylarm.no/eng/artists/584)
http://www.roggbif.com/toft/
Analog Suicide
ANALOG SUICIDE started with Atom Music Movement in Istanbul. When I founded "Atom Music - Atom Media" in 1998. I already have started some experimental, industrial, electronic, noise & audio-visual projects in early 1998. One of them is Analog Suicide that is about "analog electronic music"... I released my first cd called "Alpha". I played a lot of live performances in Istanbul. Analog Suicide joined Turkey 's the biggest international electronic music festival called "Phonem" in 2004. In 2005, I released a split cd with "Kazuya Ishigami a.k.a Daruin" from Japan. One track from Alpha cd released by "Mothers Against Noise" compilation series. I released a video cd "Analog Suicide - live istanbul 2006" ... I was on tour in 2006 Japan & Russia.. Both of them are great.. TRansmit// Recs released "Analog suicide & Astro - live in tokyo" colloboration cd. Then "Analog Suicide / Error - live in istanbul" split video was released... And now, "Analog Suicide / Fire In The Head - live in istanbul" split cd just released ...More info : myspace.com/transmitrecords I was on tour in Europe two times in 2007, April (Slovenia, Italy,Germany, Austria) and November-December (Spain, France, Belgium, Germany)... more info at tour reports... BTR (a.k.a BATUR SONMEZ) "The blue code waveform" track on Beyond Ignorance And Borders compilation was released by Syrphe Recs. ANALOG SUICIDE - BETA cd is out now! more info : www.myspace.com/transmitrecords
http://www.myspace.com/analogsuicide
Christian Felber
Der Kapitalismus hält keines seiner zentralen Versprechen. Individuelle Freiheit und persönliches Glück, wie sie Hayek und Friedman in Aussicht stellten, rücken für den Großteil der Menschen in unerreichbare Ferne. Die kapitalistischen Kernwerte - Wachstum, Wettbewerbsfähigkeit, Gewinn - stehen im Widerspruch zu den fundamentalen Werten der Demokratie: Freiheit, Menschenwürde und Gerechtigkeit. Welche Werte aber wollen wir?
Christian Felber plädiert in seinem neuen Buch für einen ganzheitlichen "dritten" Weg. In der Wirtschaft sollen dieselben humanen Werte gelten wie in zwischenmenschlichen Beziehungen. Gesetze und Institutionen müssen diese neuen Werte belohnen. Nicht Egoismus, Konkurrenz und Materialismus sollten gefördert werden, sondern Kooperation, Selbstbestimmung und ökologische Verantwortung. Das Gelingen von zwischenmenschlichen Beziehungen muss zur Maxime wirtschaftlichen Handelns und zum Kriterium für Leistung und Erfolg werden. Sich vom egoistischen Verhalten der einzelnen Akteure den größten Profit für das Gemeinwohl zu erwarten, ist die Lebenslüge des Kapitalismus.
Christian Felber zeigt auf überzeugende Weise, wie wir die Werte der Wirtschaft mit den Werten unseres Lebens in Übereinstimmung bringen und das "Werte schaffen" (Wirtschaften) auf ein neues Fundament stellen können.
http://www.christian-felber.at/
Horst Stowasser
Horst Stowasser, Jahrgang 1951, lebt als freier Autor in einem libertären Projekt in Südwestdeutschland. Abitur in Argentinien und Deutschland, Studium der Landwirtschaft und Romanistik, Weltreisen. Seit 1969 aktiv in der anarchistischen Bewegung, Teilnahme an den wichtigsten internationalen Treffen und Kongressen, Mitgliedschaft in verschiedenen Organisationen. Politische Verfolgung bis in die 80er Jahre, mehrere Gefängnisaufenthalte. 1971 begründete er das anarchistische Dokumentationszentrum »Das AnArchiv«, eine umfangreiche Sammlung von Dokumenten, Zeitschriften und Literatur zu internationalen libertären Themen mit dem Schwerpunkt deuschsprachiger Anarchismus. Herausgeber diverser Zeitschriften und Magazine, Autor zahlreicher Bücher, Aufsätze und Studien zu sozialen und politischen Themen.
Bunt, bizarr und widersprüchlich, verführerisch für die einen, Inbegriff des Bösen für die anderen, zieht sich die Idee der Anarchie durch die Geschichte der Menschheit. Ist sie ein weltfremder Traum oder ein noch zu realisierender Entwurf? Das Buch "Anarchie!" von Horst Stowasser berichtet von Versuchen, diese Vision zu verwirklichen. Eine informative und kurzweilig geschriebene Einführung in Ideenwelt und Geschichte des Anarchismus, die neue Impulse gibt.
Anarchie, ein Wort, das von jeher Schrecken ausgelöst hat, entpuppt sich bei näherem Hinsehen als faszinierende Wundertüte. Sie will das »brutale« Chaos der heutigen Gesellschaft durch das »sanfte« Chaos vernetzter horizontaler Strukturen ersetzen, in der die Herrschaft des Menschen über sich und die Natur überflüssig wird.
Die politischen und gesellschaftlichen Entwicklungen lassen das Interesse an sozialen Entwürfen wieder wachsen, die bisher im Schatten standen. Horst Stowasser stellt die bestechendste Utopie vor: den Anarchismus.
http://deu.anarchopedia.org/Horst_Stowasser
Manon Liu Winter
Shifting focus to contemporary music and free improvisation led to a period of intense experimentation with the instrument for expanding the piano sound and technical capabilities - various preparations, string piano, the inside/outside of the corpus, ways of amplifying.
Frequent participation at important festivals for contemporary music, e.g. "Oesterreich Heute/ Hoergaenge", "WIEN MODERN" Konzerthaus Wien, V:NM-Festival Graz, "Ensemble of the 20th Century" at the Salz- burg Festival, "TON:ART" Bern, Ullrichsberg Kalleidophon, Studio aku- stische Kunst Köln, Germany, Kulturschutzgebiet Tirol, Dampffabrik Bern, member of "Ensemble 2001", "The wild bunch", participation in "Klangforum Wien"Festival, Konfrontationen Nickelsdorf, NOWnow Festival Sidney and many others.
The recent repertoire includes works of Earle Brown, Pierre Boulez, John Cage, Henry Cowell, Morton Feldman, Philip Glass, Mauricio Kagel, György Kurtág, Helmut Lachenmann, György Ligeti, Stephen Montague, Steve Reich, Dieter Schnebel, Karlheinz Stockhausen, Galina Ustwolskaja; and of Austrian composers Christian Ofenbauer, Alexander Stankovski, Katharina Klement, Peter Ablinger, Konrad Rennert, Olga Neuwirth, Hannes Raffaseder, Nader Mashajekhy, Erich Urbanner, Rudolf Jungwirth, Klaus Hollinetz, Friedrich Cerha, Gerhard E. Winkler, etc.
In the field of improvisation collaboration with the musicians Christian Wolff, John Tilbury, Jon Rose, Veryan Weston, Otomo Yoshihide, Peter Herbert, Franz Hautzinger, Burkhard Stangl, Radu Malfatti, Cordula Boesze, Andrea Neumann, Josef Novotny, Christoph Kurzmann, Axel Dörner and others.
Career as soloist and chamber musician, specializing both in music of the classical and modern periods and being in contact with composers such as Luca Lombardi, Christian Ofenbauer, Mayako Kubo and John Cage. Recitals in France, Germany, Great Britain, Hungary, Italy, Norway, Slovenia, Switzerland, Spain and throughout Austria. Collaborations with members of the Vienna Philharmonics, Haydn Sinfonietta, Jeunesse Orchestra, Vienna Chamber Orchestra.
Professor for piano performance, piano pedagogy, specialist class "Improvisation & New Developments in Contemporary Music" at the University of Music and Performing Arts, Vienna.
http://www.manonliuwinter.at/
Hummer/Schellander/Honsig-Erlenburg
In Zusammenarbeit mit Sonntags Abstrakt (KIM):
HONSIG/HUMMER/SCHELLANDER sind ein elektro-akustisches Trio bestehend aus Saxophon, Trautonium (einem analogen Synthesizer) und Kontrabass. Ihr Rohmaterial sind Klänge, die sie auswählen und auf einander abstimmen. Die Klangfarben speziell dieser drei Instrumente lassen sich sowohl gut vereinen als auch kontrastieren, wenn man die passenden Spieltechniken findet. Außerdem ist ein enormer Tonumfang möglich. Mit dem ausgesuchten Material improvisieren und komponieren Honsig/Hummer/Schellander. Die Signale lassen sie außerdem über mehrere Kanäle durch den Raum wandern.
Felician Honsig-Erlenburg - Altsaxophon
Nik Hummer - Trautonium
Matija Schellander - Kontrabass
http://www.felicianhonsigerlenburg.com/
http://www.tunedcity.de/?page_id=42
http://www.matijaschellander.com/index.htm
Bernhard Gal
The Austrian artist, composer and musicologist Bernhard Gal has become internationally known as one of the most prolific sound artists of a younger generation. During the past ten years Gal has created around 50 sound installations and media art projects, combining sound, light, objects, spatial concepts and video projections into intense and often site-specific interdisciplinary art works. He also composes music for acoustic instruments and electro-acoustic music. As a (laptop) musician he has been performing live in around 150 concerts on four continents.
Born in Vienna, Austria in 1971, Gal began to nurture his interest in music and (sound) art around 1985. After studies at Vienna’s University of Music (Sound Engineering) and the University of Vienna (Musicology), and a year-long residency in New York City in 1997–98, he has focused on his compositional and artistic activities. He runs the record label Gromoga Records and is director of the Austrian art organization ‘sp ce’. Together with Ernst Reitermaier, he curates the Viennese Festival ‘Shut up and Listen!’. Currently, Gal lives as a freelance composer and artist in Vienna and Berlin where he also taught sound art at the University of Arts in 2006-07.
An important aspect of his work is the combination of music with other art forms, in solo projects as well as in collaborations, e.g. since 1997 with the Japanese architect Yumi Kori (‘audio-architectural installations’). As a (laptop) musician, Gal performs in solo concerts and has worked together with musicians such as Tung Chao-Ming, Kai Fagaschinski and Jennifer Walshe.
Gal's work has been presented in concerts, sound installations, exhibitions, and radio portraits in Europe, Asia, and the Americas. He has been invited to international music and art festivals (including Wien Modern Vienna; MaerzMusik Berlin; Donaueschinger Musiktage; Nuova Consonanza Rome; MATA Festival New York; Mutek Montreal; Musicacoustica Beijing; FILE Sao Paulo) and frequently gives lectures and workshops.
For his music and art projects Gal has received several awards, including the Karl Hofer Prize Berlin 2001, an Annual Grant from SKE-Fonds Vienna 2002, a composer fellowship from the DAAD Artists in Berlin Programme 2003, and the Austrian State Scholarship for Composition 2004. Bernhard Gal’s music has been made available on more than 25 audio publications. In 2005, the German publishing house Kehrer Verlag Heidelberg published the comprehensive catalogue book ‘Installations’, documenting Gal’s intermedia installations since 1999.
http://www.bernhardgal.com/
Timmi der Hund
timmi der hund, ein projekt von alfred lenz und hannes schauer.
auseinandersetzung mit kommunikationsmöglichkeiten (musizierende untereinander, publikum).
der fokus wird erweitert durch das sichtbarwerden des klangs unter zuhilfenahme selbstgebauter klangerzeuger oder raum-klanginstallationen.
dies wird eine fortführung bzw. weiterentwicklung ihres projektes beim Interpenetration Festival '07
http://www.myspace.com/fredlenz
http://www.myspace.com/aeitches
Krach der Roboter
... let me be your music industry! ...
... because technological devices are part of our nature ...
... hot hot hot ...
... yeah ...
http://www.myspace.com/krachderroboter
code inconnu
Austrian group Code Inconnu operate on the cusp of post-rock and electronica, favouring the latter on Spoil, Microbe, a hall of mirrors in which the instrumentalists and their sampled and treated doppelgangers do battle. Occasionally the complexity of the music, with its odd meters and shifting harmonies, leads to a suffocating density. The best moments here see them picking up the technological gauntlet thrown down by Tortoise's "Djed", something most post-rockers haven't thought even to try. "Sleepless Music" is one of the best things I've heard this year. Guitars billow like slowly advancing clouds of mustard gas over a slippery, cut-up 9/4 beat, before subsiding into a passage of beutiful eerie arpeggios, then erupting into a free noise coda complete with digital groans and splutters. In fact noise codas seem to be a speciality. "Fu" climaxes with a monstrous rising guitar figure strafed by Hecker-like squawks and squeals, and the final section of the superb "Seeds" lapses into a moody landscape of dark electronic harmonies and percussive blips and thuds. Spoil, Microbe is a bit too cluttered, as if the group are trying to cram all their tricks into each track, but that's an understandable lapse, when the tricks are as good as these. Code Inconnu just need to let it all breathe a little, and they could be world beaters.
*Keith Moliné / The Wire / 2006*
http://www.code-inconnu.org/
Tim Blechmann & Seijiro Murayama
tim blechmann & seijiro murayama started their collaboration in june 2008, when performing their first concert at the offspace c17 in vienna. in summer 2008, they spent a week in paris, working on a cd.
playing together they create a reductionist, yet changing music, focussing on the mixture of music, environmental sounds, and silence.
Tim's music is focused on static noise textures, that are digitally generated and spacial projected in realtime. His pieces are very slow paced, having a low volume close to the background ambience. For live performances, his preferred lineup is the duo with another improvising musicians. After studying physics in Tuebingen and Stuttgart, he moved to Vienna in 2005, in order to study computer sciences, digital arts and electroacoustic music (with Wolfgang Musil).
Percussionist, Seijiro Murayama works in France since 1999 after almost 20 years of improvised music experiences. His artistic principal is especially to seek for the plural-disciplinity between music and other disciplines of art: danse, video, paintings, photos, litterature etc. Also in the same pluri-disciplinary ways, he collaborates with many musicians, composers, and sound artists. For him, improvisation is always the major artistic concern. His approach is based on much attention to the space and the place, to the energy of the audience and to the quality of silence in various manners, in short, to 'hearing'.
http://tim.klingt.org/
http://www.kknull.com/anp_e_murayama.html
Ken Okami & Michael Fischer
Ken Okami, light volume control system, fluorescent lights, electricity noises
Michael Fischer, feedback/saxophone
Ken Okami's Konzert-Performances gehen von Reflexionen zu nicht-nationalen, abseits offizieller Repräsentationen auffindbaren, Imagines 'realer' 'Orte' aus. In seinen Kooperationen mit KünstlerInnen in Japan, Europe und den USA ist er interessiert an persönlichen Eindrücken von Städten, Landschaften, Orten, Gebäuden oder einfach Gegenständen. Wege, Hallen, Mauern, Graffiti, Trash, was auch immer, läßt er sich von seinen KooperationpartnerInnen zeigen oder fallen ihm bei seinen Fahrten zu ihm unbekannten Plätzen auf, die er als Ausgangspunkt für seine InstallationenPerformances nimmt.
Michael Fischers Auseinandersetzung mit dem Feedback, das er bei Saxophon, Violine, Radiostudiosetup erforscht, geht auf die Geschichte europäisch Improvisierter Musik, Neuer Music, Free Jazz, Noise und Elektroakkustik zurück. 2007 tourte er in Japan, wo er mit Ken Okami und Ito Atsuhiro in Kyoto's legendärem Club 'Urbanguild' auftrat, bei dem simple traditionelle Leuchtkörper ebenso eingesetzt wurden wie geräuschgenerierende Leuchtstoffröhren.
Ken Okami arbeitet in Japan's Performance Szene an Licht/Noise Installationen. Im Herbst/Winter 2008 wird er seine Arbeiten in Kooperationen aus den Bereichen Performance, Tanz, Literatur in Paris, Amiens, Amsterdam, Wien und New York vorstellen. Die Shows werden gefilmt und im Rahmen einer Ausstellung in Japan präsentiert werden.
Michael Fischer's Arbeiten am Feedback/Saxophon wurden im Rahmen von Solo Performances und interdisziplinären Zusammenarbeiten mit KünstlerInnen aus den Bereichen Musik/Tanz/Performance aufgeführt, u.a bei: MAK, Univ.of Arts/Amsterdam, Kraakgeluiden+DNK/Amsterdam, Urbanguild/Kyoto, SpecialColors/Tokyo, POL-festival neue musik/Frankft., Festival TussenLand/NL, Festival artacts/A, Konfrontationen/A, Kaleidophon/A, Festival fluten/Wien, Dampfzentrale/Bern, Bimhuis/NL, WIM/Bern, Porgy&Bess, fluc,.. wuk.at/m.fischer
http://www.youtube.com/watch?v=0yCWObT-UAk&feature=related
pure
produces various kinds of electronic music under different monikers since 1992. Always on the darker and heavier side of the sonic universe he creates droney, soundtrack-like long sound pieces that evoke connotations of dreams (some might say nightmares) and Sci-Fi narrations. After approx. 30 releases on such reputated labels as Mego, Staalplaat, Praxis, Feld, and his own labels dOc recordings, Atmosfear, and Loop he just finished his new album which will be out on portuguese Crónica Electronica label in september 2008.
http://pure.test.at/?page=52&lang=1
July 05
Michael Wertmüller & Marino Pliakas
Heifetz
dj: /W
9:00 pm
Forum Stadtpark
Entrance fee: € 8
Michael Wertmüller & Marino Pliakas
Wertmueller and Pliakas worked together on various occasions (touring together in various bands, e.g. with John Cale, Caspar Broetzmann, Peter Broetzmann, Stephan Wittwer, Holger Csukay, Marian Gold, Mouse on Mars, Jaki Liebezeit, KK.Null etc., on festivals all over Europe e.g. Moers Festival/Germany, Angelica Bologna/Italy, SKIF-Festival St.Petersburg/Russia, Kaunas Jazzfestival/Lithuania, RingRing Festival Belgrade/Serbia, Nozart Festival Cologne/Germany, Xperipheria Budapest/Hungary, Cross-LinX Utrecht and Enschede/NL, Tampere/Finland Jazz Happening, Krakow/Poland AudioArt Festival, Long Arms Festival Moscow/Russia, Academy of Arts Berlin, AudioArt Krakow, Angelica Festival Bologna, Moers Festival, Lisbon Jazzfestival, Victoriaville festival, BetaProject Pau, Mediawave Györ, Sonic Protest Paris, Enjoy Jazz Festival Heidelberg, All Frontiers Festival Gradisca, NoJazz Nestival Zagreb, Festival De Jazz San Juan Evangelista Madrid, Unerhoert Festival Zurich etc.; cooperation with Pliakas' avant trio STEAMBOAT SWITZERLAND).
Wertmueller and Pliakas toured USA/CAN/Egypt/Israel/Europe in a trio with Peter Broetzmann :
BROETZMANN-PLIAKAS-WERTMUELLER "Full Blast" (JW 001 , 2006).
Both of them toured the whole world with their various bands (MW: William Parker Trio, Alboth!, 16-17, W2; MP: steamboat switzerland, sludge 2000 etc.)
Be open for an extraordinary intense high energy improv duo!
http://www.marinopliakas.com/
http://www.wittwer.mu/w2/werther.html
Heifetz
HEIFETZ wurde 2005 von Dr. Wu (Schlagzeug) und Arrrna Conda (Gitarre), die auch den dauerhaften Kern des Projektes bilden, als experimentelle Hardcore-Band in klassischer Besetzung gegründet.
Die anfängliche Affinität zu "härteren Stilen" im Umfeld des Crust ("Some Songs") wich einem Konzept der programmatisch / improvisativen Klangkunst von zartem Ambient bis gezielter Kakophonie ("Vendetta Luftzirkulation"), welches - nach Aufbruch der konventionellen Bandstruktur - stets durch ein Kollektiv verschiedenster Gastmusiker unterstützt, geprägt und erweitert wurde.
Die stilprägende Widersprüchlichkeit in der eigenen Ästhetik wird durch den visuellen Rahmen (Katzenfutterdose, CD-Covers, T- Shirts, Bühnenbild, etc), kontroverser Erarbeitung von Themen und exhibitionistischer Vernebelung unterstrichen und manifestiert.
Die Teilverdunkelung der einzelnen Akteure ist bewusst gewählt.
Fuck you very much.
http://www.myspace.com/heifetzband
August 28
Dälek
Hexenbrutal
dj: Slobodan Milosevic
9:00 pm
Postgarage
Entrance fee: € 10 / 8
Dälek
Dälek (pronounced 'Die-a-leck') is an alternative hip hop duo from Newark, NJ. The group comprises MC Dälek (vocals) and the Oktopus (production). They have often toured with artists from radically different genres, such as Godflesh, Isis, Prince Paul, The Melvins, De La Soul, and Lovage.
Dälek's music is dark, noisy and atmospheric, equally inspired by industrial music like Einstürzende Neubauten, the layered noise of My Bloody Valentine and the dense sound collages of Public Enemy. Their sound is often constructed through sampling and a musical base atypical of most hip-hop, making it difficult for people to classify their sound. They have been described as trip-hop, glitch-hop, and metal- shoegaze-hip-hop, as well as criticized for their broad range of sound. (Wikipedia)
Unique blend of industrial strength hip-hop and avant rock...musically somewhere between El-P, Cannibal Ox, Public Enemy, Techno Animal, Swans, Anticon and My Bloody Valentine.
Darkness guaranteed!
Atonal, dissonant and majestic (Under the Radar)
...the most innovative hip-hop crew on Earth (XLR8R)
http://www.myspace.com/dalek
http://www.deadverse.com/
Hexenbrutal
After raising first interest in 2005 the commission of Klubski Maraton took notice and Hexenbrutal played among other runners-up at the Koncertni Maraton 2006 in KUD France Prešeren.
Then in the next year they confirmed their unconventional musical concepts and added fresh ideas and a wider sonic spectrum. It basically still was a slow and intense musical affair, which evolves between drums, synthesizers, samplers and other electronic equipment and vocals. The contrast between meditative ambient passages and thundering assaults of controlled noise is liberating and surprises with its reversing co-effect, where the noise works ambient and the ambience hits your ears like a hammer.
Their non compromising musical position, which demands an increased effort at digesting the sound, also offers refreshing and liberating effects.
Iztok Koren: drums
Matej Kolmanko: synth, vocals, FX
http://www.myspace.com/hexenbrutal
September 23
Ovo
Reas
dj: tba
9:00 pm
Postgarage
Entrance fee: € 5
Ovo
OvO is a project involving music and life.
Stefania Pedretti (also singer of Allun and solo performer aka ?Alos) and Bruno Dorella (also performing in bands as Ronin and Bachi da Pietra, former drummer of Wolfango and Bugo and manager of Bar La Muerte Records), together in life as well, decided to create OvO in order to go on playing and travel together. Actually, OvO is first of all a tour band, a specific choice which made them moving throughout Europe and North America from 2001 until present, with stops in Mexico and Turkey, performing more than 500 concerts in 6 years.
Their first album “Assassine” (2001) and the second “Vae Victis” (2002) as well were produced by Bar La Muerte and could boast the contribution of guests and friends. After the splits with Rollerball and KK Null, OvO definitively became a duo and the change was marked by the issue of their third album “Cicatrici” (2004), a co-production of Bar La Muerte and Ebria Records. In 2006 the work “Miastenia” was released under the prominent American label Load Records, the crowning achievement of several tours in the States.
After more tours in 2007, in 2008 they released a remix cd on Blossoming Noise, and recorded their new album at Seizures Palace studio in Brooklyn. It will be out in September on Load records.
http://www.myspace.com/ovobarlamuerte
Reas
(fleischpost, toise, code inconnu)
Nach längerer pause gibt es hier wieder die möglichkeit, alte stücke seiner bei tonto veröffentlichten CD live und in neuem glanz zu hören, eingebettet in soundimpros und neuerem zeug.
http://tonto.at/music/releases/CD11/
in coop with
Forum Stadtpark
Postgarage
KIM/SoA
KIG
Supported by:
web-connect
mur.at
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